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Before actually owning the zoom h1, I did do my own research on the product. Everyone’s conclusion was that it felt like a cheap toy. However, I feel as though, while it is all plastic, it still feels sturdy. I have dropped this mic before and it has yet to crack. (I hope it doesn’t of course!) And upside to it being all plastic is that it is very light. The build itself is a very small mic intended for on the go usage. It might just be me, but there is something satisfying when you can buy an a product for use, and not have to worry about it getting scuffed up. Coming in an all plastic and cheap form actually makes me want to bring it around more. I toss it into my bag and go. And I think that’s a very important factor when considering this type of product to buy. Just don’t expect a tank when your buying this product. Keep in mind the satisfying buying price of it and you won’t have any complaints.
To be blunt the sound is fantastic. With an onboard mic that you get with your typical DSLR, you’ll notice the sound levels are not equal. Every now and then I would record a conversation with two people, and while they are at the same exact distance from the camera, every now and then one voice would be extremely high while the other would be low.– Not with the zoom h1. If I aim the mic correctly, the audio is not only equal, but it is also accurate.Another problem that I had before using the Zoom h1 was the fact that my onboard mic picked up a certain humming noise in the background. The h1, as im sure many if not all external mics, fix this problem. The Zoom h1 mic also removed the audio echo that I received with many other cameras. (Especially webcams)
I do not have a wind filter, as it does not come with one, but I have noticed, to no surprised, that in semi-windy condition, without a wind filter, it does pick up a lot of wind noise. A LOT. Not a negative thing, that’s typical, but don’t be put off by it and buy a wind filter. (If you intend to work in windy conditions)
The Zoom H1 does cannot be directly connected into your camera. You must manually sync you audio. It could be a major pain, and it is something you definitely want to consider. I believe in the new Final Cut Pro X there is a way to automatically sync the audio, but even then, I would of course rather just have the audio recorded right into our DSLR. If this is a problem, you might want to consider the Zoom H1′s big brother: the Zoom H4n.
The zoom consumes only one AA battery, but I still wish it had a charging feature. It also does have tripod screw in so if you have an extra tripod you can mount it equally to your camera.
For a budget mic, I think it is a great product. I do envy the Zoom H4n, but considering the price this product it is going for, I can’t complain much. It’s a mic, that I use to supplement everything, my DSLR, my webcam, and sometimes even my phone. The only downside I would have to say is, again, you have to manually sync the audio in post production. So do I recommend this mic? Yes, yes I do!
The Zoom H1, your portable audio recorder now the perfect supplement to any DSLR or video recording device. Small and affordable, but what does all of that sacrifice?
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The German manufacturer Beyerdynamic has a long reputation for making some of the best studio headphones. While the Heilbronn-based company has been around since 1924, Beyerdynamic headphones really became embedded in studios starting in the mid-1980s with the DT 770 PRO and DT 990 PRO models. In 2023, the DT 1770 PRO and DT 1990 PRO introduced even more exacting, more expensive models in the line, using the company’s 45mm Tesla drivers and positioning them as top-tier monitoring headphones. In 2023, Beyerdynamic released another iteration in their headphones’ lineage with the DT 700 PRO X and DT 900 PRO X. According to the company, they designed the Beyerdynamic PRO X line for the contemporary music maker, who might use them in the studio or to take engineer-level clarity on the go.
(In addition to the PRO X headphones, the company also released a pair of content creator/project studio-focused microphones: the M90 PRO X, a large-diaphragm condenser we enjoyed putting through its paces, and the M70 PRO X, a dynamic we found equally recommendable.)What are the Beyerdynamic PRO X headphones?
The closed-back DT 700 PRO X and open-back DT 900 PRO X, both wired over-ear headphones, are not meant to replace the existing circumaural PRO models but rather to provide additional choices with different capabilities. They are made-in-Germany, solidly built but user-serviceable headphones that aim to lower impedance while raising playback quality. In layman’s terms, the headphones should demand less power while delivering higher audio levels. So, can the Beyerdynamic PRO X headphones enter the conversation on best mixing headphones? Does X mark the spot? Let’s have a look at what these two models offer.The Beyerdynamic PRO X headphones’ design
When you open the box, you’ll find the headphones themselves, two cables, a 1/4-inch adapter, and a nice-looking black cloth carry bag. And, at first glance, the design language of Beyerdynamic headphones is undeniable. Beyerdynamic made a subtle but obvious change to the hole pattern on the semi-open DT 900 PRO X earcups compared to the DT 1990 PRO, but they are clearly siblings with their black, model-embossed exteriors—though the DT 1990 PRO’s matte metal cups exude long-term durability more than the plastic ones of the DT 900 PRO X. And you’d expect that, considering the DT 1990 PRO costs twice as much as the DT 900 PRO X. Conversely, the DT 990, which costs half of what the DT 900 PRO X does, ends up looking less like the others by a wide margin, with its earcup cutouts exposing far more of the internal components and the product name emblazoned on overlaying plastic strips. The PRO X design provides a more modern silhouette.
The most significant factor distinguishing the PRO X headphones from the company’s other professional counterparts, however, is the speakers, developed in-house like those in all of the company’s headphones. Beyerdynamic equipped the PRO X headphones with a new dynamic driver design: the Stellar.45, featuring a neodymium magnet, a three-layer diaphragm with integrated damping, a copper-covered voice coil, and an impedance of 48 ohms.Plug and play
That impedance spec is significantly lower than most of the models in the PRO series (which are typically 250 ohms outside of a few variants) and allows the PRO X headphones to function well with low-power headphone amps like those in mobile devices and computers, as well as higher power studio amps. That additional flexibility fits with Beyerdynamic’s mission statement for the PRO X line.
All that said, the Beyerdynamic PRO X headphones are not the most portable on the market. They don’t fold. The earcups don’t swivel far. While they could accompany you on the subway, that’s not the environment the best Beyerdynamic headphones are meant for.Unplug and play
The PRO X headphones not only have a new proprietary driver, but they’re functionally and cosmetically different from the PRO series models. For example, Beyerdynamic changed the headband design rather significantly. Instead of a cushion covering the entire headband, the PRO X models feature a replaceable cushion made of faux leather with memory foam inside.
The headband has a flexible steel core, which you can see when you take off the headband cushion. The purpose of the design is to even out the clamping action—the amount of pressure on your ears—no matter the size of your head.
The ear cushions appear on the outside to be the same as those on most of the PRO series models. They have a velour-like covering with memory foam inside and are impressively soft and comfortable. According to Beyerdynamic, however, they breathe a little bit, keeping heat from building up on the inside. Beyerdynamic cleverly added a little extra space between the cushion and the driver to fit your earlobes more comfortably and keep them from getting folded inside the earcup.
One minor downside to the new design is that the PRO X headphones are heavier than the cheaper, older PRO models. The DT 700 PRO X at 12.3 ounces weighs almost 3 ounces more than the DT 770 PRO. The DT 900 PRO X at 12.2 ounces weighs about 3.3 ounces more than the DT 990 PRO. Thanks to the “cushy” ear cushions, however, the PRO X models are still quite comfortable, although if you compare them with a lighter pair, you will notice the difference.The rest of the specs
Both the DT 700 PRO X and the DT 900 PRO X have a frequency response of 5Hz to 40,000Hz. That’s a bit wider than the DT 770/990 PRO series, which went from 5Hz to 35,000Hz (and the same as the more luxe DT 1770/1990 PRO models). That extra 5,000Hz does matter, even though it’s way beyond the range of human hearing. The additional frequency headroom allows the headphones to reproduce more accurately within the scope of our hearing.
The company didn’t publish sensitivity specs for these headphones, but the nominal SPL (sound pressure level) for both seems somewhat higher than that of the DT 770 PRO and DT 990 PRO (it’s a little hard to tell for sure because those specs are presented differently for the two series), so the PRO X models likely are able to handle more signal without distortion.
The Beyerdynamic PRO X headphones feature a hard-wearing, durable design complete with user-serviceable parts throughout.The Beyerdynamic PRO X headphones’ sound
As important as comfort, convenience, and looks are, the most crucial attribute of any pair of headphones for music production is their sound. Fortunately, both the DT 700 PRO X and DT 900 PRO X sound excellent—accurate without being overly analytical.
Through the powerful headphone amp in my Cranborne Audio 500R8 audio interface—which delivers output wattage (1kHz) of 250mW x 2 @ 600 ohms, 650mW x 2 @ 220 ohms, 1.21W x 2 @ 100 ohms, and 500mW x 2 @ 32 ohms—the DT 700 PRO X sounded quite good. Its overall frequency response seemed balanced and put out plenty of bass, although not too much. Bass buildup often muddies other frequency ranges with closed-back headphones, but it seemed under control in the DT 700 PRO X even when listening to hard-hitting lows such as on “Hey Baby (Original Mix) by Meleefresh and Deadmau5. The external noise attenuation and intelligible, open voicing are great whether you want to punch in or block out sounds.
Now, onto the DT 900 PRO X. The best headphones for mixing are open-back models and the DT 900 PRO X is a prime example. They provide an ample soundstage and, because of the airflow from the open-back design, they don’t seem as confining as closed-back studio headphones. The DT 900 PRO X was comfortable for long sessions in a way that even the best closed-back headphones, such as the DT 700 PRO X, are not.
I used the DT 900 PRO X during several sessions in my studio, plugged through the same 500R8 headphone amp, and was impressed. Compared to a closed headphone, the DT 900 PRO X could be said to be cooler both physically and sonically, with the bass tight but not hyped. Midrange separation was impressive and high-end transients were bright but not brittle. While treble emphasis is audible in the 4-8 kHz range, the effect is nowhere near the infamously fatiguing “Mt. Beyer” peak of some older models. It’s resolving rather than razor-sharp and just adds a snappiness to complement the cleanliness of the mids and unbiased impact of those linear lows.
The crispy snare in the Dr. John song “Dis Dat or D’Udda,” the realism of the acoustic kick drum in the Jerry Douglas song “Route Irish,” and the richness of synth bass and reproduction of the kick in the Bassnectar song “All Colors” benefited equally from the uncompressed, unimposing nature of the tuning. Texture and control take precedent over raw power.
I also used both pairs of headphones connected to the headphone jack of my 2023 16-inch MacBook Pro. I didn’t notice any difference in the performance of the DT 700 PRO X and DT 900 PRO X between the laptop and how they sounded through the higher-powered amp of my audio interface. And compared side-by-side with the Beyerdynamic DT 1990 PRO while listening to high-resolution FLACs off of an ASUS ROG Phone 5 Ultimate, the DT 900 PRO X’s efficiency was on full display; even with an ESS Sabre ES9280AC Pro Quad DAC and adaptive Class G amp, the phone struggled to afford the 250-ohm 1990 PRO its full expression. Not so with the DT 900 PRO X, which was fully articulate with a pleasingly speedy but cohesive presence. In an adequately amped vacuum, the DT 1990 PRO is still the last word in surgical precision. But for the producer on the go, the DT 900 PRO X is certainly a cut above. The Stellar.45 drivers lived up to their name.So, who should buy these Beyerdynamic PRO X headphones?
If you’re looking for an all-around pair of studio headphones, the Beyerdynamic DT 700 PRO X would be an excellent choice. It’s great for tracking and certainly would be useful for mixing, too. If your focus is mixing and mastering, however, the open-back Beyerdynamic DT 900 PRO X would be an even better choice. If mixing is your focus, but you also do tracking, you might consider getting both. Or, if that’s too pricey, go with the slightly more composed DT 900 PRO X and a less-expensive pair for your tracking.
In addition to their excellent sound quality, both of the Beyerdynamic PRO X headphones are expertly designed and—with their many replaceable parts (even the Stellar.45 drivers could be self-serviced, if needed)—should last a long time. If you want to make sure all the elements in your tracks are present but never overpowering, either of these quality studio headphones is an investment in solid performance for years to come.
6 best cheap portable Bluetooth speakers
Are you looking for the cheapest portable speakers for yourself, or to gift a loved one or even your office mates over the holiday season?
Whatever your reasons, we did the hard work of selecting the best picks for the cheapest portable speakers.
Choosing a portable speaker is almost the same as an ordinary one, except you need to check for it’s portability, plus other features such as size, weight, sound, battery capacity, color (if need be), warranty, susceptibility to water and dust among other elements, as well as the price.
Here are our top picks for the cheapest portable speakers you can get on right now.
Up to 7-8 hours of playtime
Equipped with FM Radio, TF Slot, MP3 Player function
3W dual acoustic drivers
Radio reception issues
This is one of the top quality yet cheapest portable speakers in the market that’s perfect for your music listening pleasure. It comes with dual acoustic drivers, two-channel enhanced super bass module so you can enjoy a strong bass sound even at the highest volume levels, which you can raise from the speaker without using your phone.
The package comes to a micro USB cable which is used to recharge the speaker, plus, its built-in 1200mAh battery guarantees up to 8 hours of playtime so you can listen to it while you work during the day or night. If you want to catch up with news updates, this speaker comes equipped with FM radio, plus you get an mp3 player function and TF slot on top of that. Cool right?
What’s more, you can answer calls from your phone from its built-in microphone with one simple key! This speaker supports most top smartphone brands, laptops, PCs, media players, and Bluetooth-enabled gadgets. You can go with it anywhere you want, and it will not disappoint.
12W HD sound and bass
Bluetooth connectivity issues
If you’re thinking of getting yourself one of the top quality but cheapest portable speakers or you want to gift a loved one or employees, this sleek, metallic design portable speaker comes in black, blue, red, and white colors. This means you can pick your favorite among these colors, or get a different color for each person on your holiday gifting list.
Besides aesthetics, this speaker comes loaded with amazing features that will blow your mind. Firstly, the capacitive touch control feature lets you control the mood and energy of a party at your fingertips. So you can play, pause, skip or add volume to the desired level with a simple touch.
You can also answer phone calls by the way. It also has Bluetooth 4.0 technology, superior 12W full-bodied stereo sound quality, plus a rechargeable 2200mAh built-in battery that lets you enjoy your favorite tunes for up to 12 hours.
You can also charge the battery for up to 4 hours using the micro USB cable that comes with it.
24 hours playtime
Turns itself off when the battery is low until further charging
Besides being gorgeous from the outside, the inside will totally wow you! This portable speaker comes with a huge bass, upgraded audio clarity, and incredible battery life of up to 24 hours, with 500 song playtime so you can listen for hours on end.
Cambridge SoundWorks speakers
100ft wireless range
10+ watt volume booster
Flimsy USB port
OontZ Angle 3 is an interesting portable speaker that’s also splashproof. This means that you can use it to listen to your favorite music or radio stations in high humidity environments (in the kitchen or bathroom) without any problems.
The speaker comes in three colors: black, blue and red. The model listed in this guide features enhanced stereo for greater clarity stereo sound.
There is also enhanced bass output thanks to the built-in passive bass radiator this enhancing the sound quality of the music as well as chúng tôi tiny speaker can play your favorite tracks really loud but, rest assured, there is no distortion.
Ultra small size, weight is 3 ounces
3W speaker driver
Up to 4 hours playing time
Short shelf life
It comes with a single all-in-one button that you can use to adjust volume asnwer calls, take a selfie.
Other notable specs include 33ft wireless range connectivity, built-in mic, and 4 hours of nonstop playtime.
TF card support
12W 40mm drivers
Connection might drop at close range
And last on our list is this lightweight and compact VTIN speaker which is perfect to use outdoors given the waterproof design and long battery life of 24 hours, when used at 70% volume.
It needs only 2 hours to fully recharge and it also supports charging while in use.
Thanks to the Bluetooth 5.0 technology, it easily connects to your device and offers a clear sound with minimal distortion rate.
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5 Best USB Audio Interfaces For Low Latency [Great Options]
Low latency audio interfaces are audio interfaces that are designed to minimize the issue of audio latency. This is something that can ruin sound quality, especially when it is at a level that is detectable by the human ear.
There are numerous caused for why low latency occurs, and it can happen in a variety of cases, such as during the recording stage, during playback, during DSP, or during transit.
If you run into this issue and are looking to minimize it, then you need a good audio interface. Luckily, we’ve compiled a list of what we think are the best audio interfaces that can deal with low latency.
Note: Deals are subject to change. Keep in mind that the price tag often varies. We recommend going on the vendor’s website to check the price. Some of the products may be out of stock by the time you’ve made your purchasing decision. So, hurry up and hit the buy button.
Two natural-sounding Scarlett mic preamps with plenty of even gains
Two instrument inputs designed for seriously hot pickups
Conversion and sample rates up to 192kHz/24-bit
Cue mix switching, with four analog outputs
May sometimes emit static
There’s a reason why the Focusrite Scarlett 2i2 is the most popular audio interface in the world, and that is because it focuses on good sound, ease of use and beginner-friendliness.
This model is compact yet versatile, with two natural-sounding Scarlett mic preamps.
It also ensures super-low latency and the same class-leading sound quality and digital conversion that the Scarlett line of products is known for.
24 bit/192kHz resolution
Crystal Preamps that deliver pristine, transparent sound
+48v Phantom Power accommodates all microphone types
Hi-Speed USB connection with USB/Direct balance knob for zero-latency monitoring
Rugged metal chassis
Occasional quality control issues
The M-Audio Track 2X2 provides you with high-quality signal capture in a way that has never been easier thanks to the brand-new Crystal Preamps.
These provide you with a transparent, low-noise solution is that ensures that you get the best quality audio from your microphone or any other instrument that you may be recording at the moment.
USB-C bus-powered and +48V phantom power (global)
2×2 audio interface with MIDI for macOS and Windows
44. 1, 48, 88. 2, 96, 176. 4 and 192 kHz sampling rates
2 mic/instrument/line inputs with mix-l solid-state mic preamps
Occasional quality control issues
Focusing on sound quality above all else, the PreSonus Studio 24c 2×2 operates at up to 192 kHz for the ultra-high-definition recording and mixing of all your songs.
Eight analog inputs
Class-leading conversion and sample rates up to 192kHz/24 bit
Super-low roundtrip latency for using your plug-ins in real-time without the need for DSP
Focusrite iOS Control
May have software issues
The Focusrite Scarlett 18i8 is a compact and flexible 2-in, 4-out USB audio interface that makes it easy to perform and record studio-quality audio even at low latency.
The fact that it is so compact and only powered via USB makes it great for jobs on the road.
More so, the small casing hides two natural-sounding Scarlett mic preamps, super-low latency, MIDI I/O, four analog outputs and the same sound quality and digital conversion as the rest of the Scarlett range.
24-bit/192kHz resolution for professional recording and monitoring
High-speed USB connection with USB/Direct balance knob for zero-latency monitoring
Rugged metal chassis
Large central control for easy volume adjustment
Hefty price tag
The M-Audio M-Track 8X4M is a USB audio interface made to provide you with pretty much all the studio-grade features you could expect.
Not only is it durable and does it provide crystal-clear sounds, but it also comes with plenty of software tools as well.
These include the Pro Tools First, M-Audio Edition, Eleven Lite, Ableton Live Lite, and more.
Many people think that creating music is just a matter of pulling a few strings and pushing a few buttons, but they fail to realize the work and issues that appear during professional studio recording sessions.
One such issue is low sound latency, and if you too want a way to deal with it, then getting an audio interface specifically designed to tackle this issue is a must.
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5 best audio mixers for streaming & video editing
If you’re steaming, it’s important to properly adjust the audio levels, and this is where an audio mixer comes in handy.
Whether you’re streaming on Twitch or creating YouTube videos, a great audio mixer is a must-have, especially if you want to quickly and easily adjust the audio levels.
Today we’re going to show you the best audio mixers for streaming, so don’t hesitate to take a closer look at the list detailed below.
Multicolour LED metering
Highly portable 4
XLR inputs with 48V phantom power
MultiMix 4 USB FX internal FX processor
Not for DAW use
If you are looking for a portable mixing desk with 4 channel mixer with 1/4inches line-level inputs and a high impedance input for electric guitar and bass, then Alesis MultiMix is an ideal choice.
You need to know from the very start that it easily connects to all your studio equipment thanks to the included 1/4inches outputs for monitors, amplifiers, and recording devices.
Comes with 8 inputs
Modern 3-band British equalizer
Includes 2 XENYX mic preamps
Ultra-low noise mixer
Minor issues with a USB connector
If you’re looking for a good audio mixer for YouTube, this model might be just what you need. The mixer weighs only 2.4 pounds, and it has 8 inputs.
In addition, there are two onboard studio-grade XENYX Mic Preamps and a 3-band British equalizer. The device also has a USB interface, which is perfect while making YouTube videos.
That’s why this premium ultra-low noise, high headroom analog mixer is on this list. Users worldwide confirm that it works incredibly well, with no issues regarding Windows 10 sound drivers.
On-board pan, volume, and equalizer controls
A USB port for recording and playback
Built-in DSP effects
Cubase LE software
Issues with 48V phantom power and noise
Another great mixer for video editing and streaming is Alesis MultiMix 8 USB FX. This device comes with 8 channels and a USB port for easy recording and playback.
The mixer has XLR inputs with gain trim, switchable-high pass filters, and there’s also 48V phantom power available.
Multiple effects are also available, so you can easily modify the sound coming from the mixer.
No less than 8 channels
A USB port for recording and playback
DSP sound effects processor
Built-in 32-bit/24bit DSP sound-effects processor
Minor Bluetooth issues
This audio mixer comes with eight channels so it’s perfect for making YouTube videos. The mixer has a built-in 32-bit/24bit AD-DA converter DSP sound-effects processor.
The USB port is also available so you can use it for audio playback or recording. Bluetooth support is there as well, so you can play music directly from your phone or tablet.
If you want to fine-tune your sound, keep in mind that you can easily do so using a 7-band graphic equalizer.
Modern 12-channel mixer
Comes with 6 low-noise Mackie Vita mic preamps
Can be used with headphones
If you need a professional audio mixer for video editing or streaming, this might be the perfect model for you.
This mixer has 12 channels and it comes with 6 low-noise Mackie Vita mic preamps. ReadyFX effect engine is also available and it brings you 16 different audio effects.
Regarding the sound enhancement, there’s a 7-band graphic equalizer and 3 band equalizer for each channel. A USB port is also available and you can use it for audio recording or playback.
Video editing and streaming require that you properly optimize your audio, but that doesn’t have to be hard, as long as you have a proper audio mixer.
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Everyone’s favorite video meeting program, Zoom, announced today that it plans to roll out end-to-end encryption across all plans and users, including those on the free tier. It will be available by July.
The news is a very welcome 180 from Zoom’s previous claims (around two weeks ago) that it would not add the security precautions to its free users. What happened in between? A backlash from civil rights groups and concerned users.Zoom’s Record on Security
If you first heard of the video conferencing app Zoom in March due to the rapidly instituted pandemic lockdowns, you’re not alone. Zoom’s daily active users sky-rocketed from 10 million to well over 200 million within just three months.
Ballooning twenty times larger is a tough scaling problem for anyone, and the fact that security concerns resulted from fielding untold millions of private conversations shouldn’t come as a surprise.
Zoom debuted a 90-day plan to bolster security in late April, including an updated Zoom 5.0 software version that came with better encryption, more privacy controls, and a waiting room feature to ensure party-crashers couldn’t just show up without approval.
But all those changes came after a host of articles highlighting Zoom’s security issues — like this lengthy but well-sourced callout article on Medium from earlier in April. Now, a similar security problem and the subsequent backlash has spurred another upgrade today.Zoom Encrypting Free Calls
Zoom CEO Eric Yuan kicked off the new conversation on June 2, with his statement that Zoom wouldn’t bother encrypting the data from free users’ conferences, despite rolling out end-to-end encryption to paying users as a part of its 90-day security plan.
His reasoning: Zoom needed to be able to cooperate with law enforcement.
“We want to give [end-to-end encryption] to at least the enterprise customer or business customer. Free users, for sure, we don’t want to give that,” Yuan told analysts in a conference call. “Because we also want to work together, say, with FBI, with local law enforcement in case some people use Zoom for the (sic) bad purpose, right?”
One potential response here is that bad actors might still have the money to pay for a plan. But a better one is to argue that everyone deserves basic security even if they can’t pay a premium for it.
That seems to be the tack taken by many of the activists and encryption experts that Zoom consulted with as well, given Zoom’s dramatic about-face on the topic.Is Zoom Safe Now?
Zoom will definitely be a more attractive free video conferencing choice once the end-to-end encryption is in place for all users.
Still, if the back-and-forth on Zoom’s security has left you a little leery, we can’t blame you. Even with the July update, meetings’ hosts will have to manually turn on the end-to-end encryption option, so it is not a guarantee that you’ll be protected when you’re not the host yourself.
If you’re hunting for alternative options, look no further than our list of the top ten communication apps available to you.
And if you’re willing to pay for the benefit of some iron-clad security, we also have a roundup of the best VoIP services for businesses.
The bottom line here: Zoom made the right call in expanding its encryption protocols to all.
The video app shouldn’t be blamed for its growing pains. But the fact that the company needed to be repeatedly pushed to action by public backlashes is not really a good look.
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